The Breakfast Club

It was one of the most definitive films of the 80's and one of the first to really address the growing teen anarchy yet 'The Breakfast Club' still rings true today. It is the story of five teenagers each from a different social group who are trapped together in Saturday detention from seven am till four. By the end of the day they begin to realise they have more in common than they once thought and that judging a book by it's cover can be deeply deceiving.

Sometimes called contrived, 'The Breakfast Club; should not be taken at face value. In reality these five students probably would not relate in the deep and meaningful way in which they do, but it's symbolic and that should be remembered. It?s a film about understanding why people are the way they are and realising that we are all human in the end.

'Molly Ringwald' is the daddy's plastic popular princess. Everybody loves her, looks up to her, worships her, or so it's thought. The Breakfast club unveils her unhappiness with her image and the pressure she suffers, but still her own vanity and excuseless cruelty. She's a more realistic version of the stereotype too often presented as a dumb cheerleading blonde. She happens to infuriate the class clown and 'bad boy' John Bender, portrayed by 'Judd Nelson' who's anger is fuelled both by his oppressed affection for her and own sad home life which contrasts greatly with Claire (Ringwald) in her diamond earrings. Next is the 'jock', Andy (Emilio Estevez), secretly hating his father for forcing to him to constantly compete and hating himself for the cruelty he's shown in the past in order to impress his father. If there's a jock there inevitably has to be a 'geek', played by Anthony Michael Hall. Brain box Brian might get teased for his interest in chemistry, maths or physics and weedy nature but is secretly envied by the rest of the breakfast club who automatically assume his parents must lavish him with affection for his academic success and good behaviour, however, his very reason for being in detention makes it crystal clear that this isn?t the case. And of course there is the one who doesn't fit any title or social group, the 'quirk'. Allison (Ally Sheady) claims she considers fleeing her home because her parents simply ignore her. It is proved that how we are raised effects us so greatly, in that none of the rest have heard her talk before today. When she talks she talks a lot, adding that she is a compulsive liar.

Confined to one room for the majority of the film 'The Breakfast Club' relies on strong characters and intelligent dialogue. It's unpredictable, funny and often moving. Within it's 97 minute running time it manages to say a lot about society; family life, school life, authority and the notion of happiness. Is anyone truly happy? Can happiness in all aspects of life at once ever be achieved? The film also breathes hope in stating what can be achieved when we begin to understand each other more.

'The Breakfast Club' addresses a fear of young people worldwide: Do we really turn into our parents when we grow up? 'It's unavoidable' says Allison, 'When you grow up, your heart dies.' It is the sincerity and sadness with which such lines are delivered that make this film so believable and special. In a decade of 'American Pie' type teen comedies, which, despite being somewhat entertaining, preach fairly hollow messages, it?s been a long time since a gem such as 'The Breakfast Club' has graced our screens. It is a more realistic image of teen life, not so warped by Hollywood glamour and refreshingly, although it is raised as an issue, not focusing on sex drugs and rock and roll.

Seeing this film more than twenty years after it's release, baring in mind the amount of hype and discussion it received and constant references in other films and television shows I expected to be disappointed on finally viewing it. I certainly wasn't. 'The Breakfast Club' will change how you think if you let it. At the very least, the next time you see somebody you think you've got sussed out, you'll find your mind wandering back to the jock, the beauty, the brain, the criminal and the kook and you'll wonder if what you see is really what you get.