Terror reigns deep beneath the streets of New York City. The subway system
is plagued by a series of unsolved, bizarre and particularly gruesome
murders. A young man is found in a Brooklyn station with his heart crudely
ripped out of his chest. The headless body of a conductor is discovered inside
the locked cab of a Number 6 train in lower Manhattan. Authorities blame
these, as well as several other equally macabre crimes, on the city's growing,
and increasingly aggressive homeless population.

Melissa Manning, however, isn't buying that explanation.

Having experienced a personal tragedy in the subway years ago, Melissa is
definitely no stranger to the violence that can occur underground...but
this is different. Weeks before the first murder was even committed, she's had
an unsettling feeling that something horrifying was lurking within the
sprawling transportation system. Many nights when traveling alone, and walking
along a quiet stretch of platform, she hears an eerie scraping sound in
the distance, and has an overwhelming fear that someone - or something - is
watching her. When the murders begin, and when a dark, faceless figure
follows her home from the subway one night, she's convinced that this is
something far more insidious and frightening than mere random acts of violence.
Not only can she feel the presence of an evil entity...she knows it's just a
matter of time before it comes after her.

ABOUT THE AUTHOR
Better known in the art world, F.M. Kearney is an award-winning fine art
nature photographer. Although he has written several photography-related
articles for magazines and online sites, this is his first novel-length feature
in the horror genre. Kearney began his career as a photojournalist in New
York City. His assignments took him all over town, with the subway serving
as his primary means of transportation. When most non-New Yorkers think of
the subway, thoughts of Grand Central, Times Square and Penn Station – huge
bustling hubs filled with hundreds of people – will undoubtedly come to
mind. Having traveled on every line in the city, it was clear to him that the
vast majority of the system’s 468 stations were nothing like that, in
fact, they were the exact opposite. Most were fairly quiet, dimly lit and
sparsely populated…and that’s in the middle of the day. Viewing it as the
perfect setting for a horror story, it’s no wonder why Kearney chose the subway
as his muse for “They Only Come Out at Night.”