A. Manette Ansay, Good Things I Wish You Review

Overall Rating

Recently divorced, forty-two years old Floridian Jeanette Hochmann is struggling with balance. She works at the university, is raising her four years old child virtually alone, and is writing her novelization of the four decade relationship between nineteenth century German pianist Clara Schumann and Johannes Brahms, her spouse Robert's prot g as composers. Jeannette, a child prodigy classical pianist, hopes to bring freshness to the legendary triangle, but instead feels lethargic and despondent following her acrimonious divorce war.

Through an agency Jeanette meets slightly older entrepreneur Hart, the first man she dates in nineteent years. He coincidently comes from Clara's hometown Leipzig, Germany. Hart kindly helps her with translations of her research from German to English though they seem to have nothing in common except they are attracted to one another. In fact she realizes his ten year old daughter, a musical prodigy, is much more like her than Hart is. As they travel Germany and Switzerland together, their relationship heats up yet increasingly seems to emulate that of Clara and Johannes.

This is a fascinating look at the legendary triangle between the Schumann duo and Brahms in which the nineteenth century subplot with original photos and letters is extremely gripping; but in turn makes the modern day entry seem intrusive. The cast in both centuries are fully developed, however once again the historical persona steal the show. Although GOOD THINGS I WISH FOR YOU might have been better as an exclusive look at the historical relationship, fans will enjoy A. Manette Ansay's fine tale of how convoluted life is then and now.

Harriet Klausner